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| 21.05.2010., 23:21 | #1381 | El Más Loco | Ovo se cekalo, muchas gracias 593. | Shane Black ('Lethal Weapon'), John Carpenter ('Halloween'), Frank Darabont ('The Shawshank Redemption'), William Goldman ('The Princess Bride'), Paul Schrader ('Taxi Driver'), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in 'Tales from the Script,' the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name. |
: link Tales from the Script (2009) [DVDRip] Disc 2: link Uostalom, potrazite torrent. Zadnje ureðivanje Mr Smoogj : 07.07.2010. at 14:55. |
| 26.05.2010., 03:04 | #1382 | El Más Loco | Hard to Replicate: A Ridley Scott Profile Our friend Trevor Hogg at FlickeringMyth.com has put together a nice 5-part profile on director Ridley Scott.
My favorite Ridley Scott story involves screenwriter Callie Khouri. I don't have the source for this anecdote, but I think I remember it pretty clearly.
Before she broke into the business, Khouri wrote 'Thelma & Louise' on spec. She got it to a friend who forwarded it to someone who slipped it to Scott Free, the production company for brothers Ridley and Tony Scott. Then Khouri got The Phone Call: 'Mr. Scott would like to meet with you.'
Imagine how nervous Khouri was as she entered the offices of Scott Free. She bided her time, then was ushered into Ridley's office. And the very first words he said to Khouri were, 'Well, first off, the ending stays.' He was referring to the ending of 'Thelma & Louise' where the two Protagonists drive off the cliff together. And I remember reading Khouri recounting this story saying, 'As soon as he said those words, I knew that Ridley 'got' the script.'
Classic!
Next up for Trevor... Hayao Miyazaki. Very much look forward to that. |
p.s. kako ovdje ne spomenuti naseg Branka Lustiga. BTW, Branko je redovit gost na ovoj temi - ovim ga putem najsrdacnije pozdravljam i ponizno mu zahvaljujem na ukazanoj nam casti. Krenimo redom, nekoliko must read/see linkova: Lustig: Hrvati u filmskoj ekipi »Gladijatora« dali su mi snagu da izdržim gladijatorske napore Branko Lustig - povratak kuæi zagrebaèkog oskarovca
Poznati producent otkrio namn je i kako je poèela njegova kanije uspješna hollywoodska karijera. Zašto je puklo prijateljstvo s Ridleyem Scottom s kojim je snimio osam blockbustera, a danas više ne razgovaraju. Zašto ga Russsel Crowe zove 'papa' i kako je raditi sa Stevenom Spilbergom. Iako æe uskoro navršiti sedamdeset sedmu godinu, ne posustaje i otkriva planove za buduænost.
Sve ovo je isprièao na svojem imanju u Žumberku gdje je prvi puta dopustio ulazak televizijskih kamera. Nismo zaobišli ni Lustigovu uspješnu producensku karijeru ovjenèanu s više Oscara, Emmyja i Zlatnih globusa.
Kada je prije sedamdeset godina živio ova sjeæanja, kao sedmogodišnje dijete, danas višestruko nagraðivani filmski producent Branko Lustig, nije ni slutio da æe mu upravo ona, za manje od tri godine doslovno spasiti život.
'Jedne noæu upozorili su mojeg tatu da bi bilo bolje da odemo jer da æe skupiti sve Židove u Osijeku. I jednu smo se veæer mi odvukli do Drave. Tamo smo se urcali na èamac u tvrði i otišli, za Madžarsku, za Èakovec…'
Ovako zapoèinje životna prièa Branka Lustiga. Hrvatskog Židova, Osjeèanina i slavnog producenta mnogih filmskih blockbustera poput Hanibala, Mirotvorca, Gladijatora, Shindlerove liste i mnogih drugih. Za posljednja dva dobio je i Oscara. No kada bi snimio film o svom životu, ni tada ga zlatni kipiæi, sigurni smo, ne bi zaobišli. Još kao dijete, dva je puta izbjegao sigurnu smrt.
I èuda su mu se dogaðala. U Èakovcu su relativno mirno živjeli gotovo do konca 1942. godine. Jedne noæi, majku i tada desetogodišnjeg Branka deportirali su u njemaèki koncentracijski logor.
Djeèak je èekao sigurnu smrt. Jednoga dana, umjesto kazne i smrti, doèekao je spas. I to nevjerojatno, spas je donio èasnik najkrvoloènijih Hitlerovih jedinica, SS divizija. |
Srcem sam uvijek u Zagrebu
Poznati filmski producent, profesor na Akademiji dramskih umjetnosti u Zagrebu, dvostruki oskarovac Branko Lustig gostovao je u emisiji Nedjeljom u dva. Prisjetio se vremena kada je bio zatoèenik koncentracijskog logora Auschwitza, u koji je dospio sa svojom majkom kao 10-godišnjak.
Lustig je direktor Festivala suvremenog židovskog filma koji poèinje u Zagrebu, a ove je godine posveæen djeci žrtvama rata. Rekao je da mladi malo znaju o užasima holokausta i da treba raditi na njihovoj edukaciji.
Na pitanje vraæa li se iz SAD-a u Hrvatsku, odgovorio je: Srcem sam uvijek u Zagrebu. Ne moram se vratiti, ja sam uvijek tu.
Govorio je o tome kako je raditi s filmskim zvijezdama poput Stevena Spielberga ili Russella Crowa. Isprièao je nekoliko anegdota s Georgeom Clooniem, Nicole Kidman i Anthonyjem Hopkinskom.
[SLIKA OBRISANA] |
Zadnje ureðivanje Katatonièni Dabar : 02.07.2010. at 13:36. |
| 27.05.2010., 21:07 | #1383 | El Más Loco | Ok, prvo dvije male zamolbe: pokusajte na trenutak zaboraviti da se radi o Oprah. Druga, cak i ako nikad niste voljeli Rogera Eberta, ili mozda nikad niste ni culi za njega - svejedno vas molim da kliknete na video ispod. Da, bas toliko je dobro - ovo svako normalno ljudsko bice treba odgledati. REPLAY: Roger Ebert: The Essential Man| It has been nearly four years since Roger Ebert lost his lower jaw and his ability to speak. Now television's most famous movie critic is rarely seen and never heard, but his words have never stopped. |
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| 31.05.2010., 14:18 | #1384 | El Más Loco | In Memory of Dennis Hopper, 1936 - 2010Mislio je da mora biti lud, neposlušan i nepodnošljiv jer mu to daje kreativnost
Vjerovao sam da što si luði, to si bolji umjetnik - izjavio je u jednom intervjuu 2002. Dennis Hopper, holivudski veteran koji je preminuo prije tri dana u 75. godini od posljedica raka, okružen èlanovima obitelji. Njegova peta supruga Victoria Duffy bila je daleko jer je imala sudsku zabranu prilaska.
O Hopperu su 70-ih i 80-ih pisali u traè rubrikama, ali i u rubrikama crne kronike pa se dugo nakon toga borio kako bi skinuo sa sebe etiketu razmaženog holivudskog ovisnika. Drogiranje je poèelo 60-ih, a eskaliralo bizarnim pokušajem samoubojstva - omotao se dinamitom i želio raznijeti, a tijekom boravka u Novom Meksiku halucinirao je i jednom prilikom pucao iz strojnice po susjedstvu. Prije konaène rehabilitacije 1984. godine snimio je “Apokalipsu danas” (tumaèio je hipijevskog fotoreportera), a Coppola se žalio da Hopper nikako ne može zapamtiti tekst.
No Hopper je bio multitalentirana umjetnièka duša koju je dugo vodila pogrešna ideja da kokain i alkohol pospješuju kreativnost. Volio je glumu, režiju, pisao poeziju, slikao, izraðivao kipove...
Svoj je umjetnièki rad uèinio prepoznatljivim za sve vjekove kada je s Peterom Fondom osmislio scenarij za “Gole u sedlu” iz 1969. godine, odigrao jednog od glavnih likova, režirao film i još doveo na set Jacka Nicholsona koji je za sporednu mušku ulogu zaslužio Oscara, a film je u Cannesu bio proglašen za najbolji. “Goli u sedlu” je, podsjetimo, snimljen na koji dolar više od pola milijuna, a imao je basnoslovnu zaradu i danas se s odmakom zakljuèuje da je taj jeftini film o dva bikera i sitnim dilerima promijenio Hollywood.
Šefovi produkcijskih studija odjednom su prigrlili nove, mlade i neprovjerene filmaše, orijentirali se na mladu publiku. U konaènici, primjeæuje amerièki filmski povjesnièar Leonard Maltin, “Goli u sedlu” otvorili su vrata Hollywooda Stevenu Spielbergu, Georgu Lucasu, Martinu Scorseseu, Francisu Fordu Coppoli i Peteru Bogdanovichu.Sam Hopper nikada nije primio zlatni kipiæ, no kada je nekome u Hollywoodu zatrebao glumac da odigra psihièki nestabilan i/ili pokvaren lik, najbolji je izbor uvijek bio Dennis Hopper. Kako ga je opisao filmski kritièar Roger Ebert, Hopper je “najpouzdaniji i najjeziviji zloèinac u filmovima”.
- Ne trebaš me zvati na casting jer ja jesam Frank Booth - odgovorio je Hopper 1986. godine Davidu Lynchu kada mu je redatelj ponudio ulogu sadista u “Plavom baršunu”, koji je postao jedan od najpoznatijih zloèinaèkih likova amerièke filmografije. Hopper je to kratko objasnio: - Bez ikakvih sam problema razumio Bootha jer je, u osnovi, on tek sredovjeèni izrod. Ja sam tada bio upravo to, sredovjeèni izrod.
Ta ga je uloga vratila meðu najbolje glumce Hollywooda.
Sjetimo se i nekoliko komercijalnih uspjeha: u “Brzini” tumaèi bombaša koji zadaje muke Keanu Reevesu i Sandri Bullock, a u “Vodenom svijetu” kao zli voða s povezom na oku proganja Kevina Costnera.
Taj je glumac i redatelj tijekom 50 godina ostvario zavidnu filmografiju s više od 200 filmskih i televizijskih veæih i manjih uloga, osam je puta uzeo u ruke redateljsku palicu, a posthumno kreæe u distribuciju njegov zadnji projekt - crtiæ “Alfa i Omega” u kojemu Hopper posuðuje glas glavnom liku Tonyju.
Prvih 25 godina karijere gradio je na imidžu divljeg, nesputanog i tvrdoglavog improvizatora jer je na setu “Buntovnika bez razloga” previše doslovno shvatio savjet prijatelja Jamesa Deana. Tada 19-godišnji ljubitelj Shakespearea bio je uvjeren da na svijetu nema tako dobroga glumca poput njega.
- Tijekom jedne scene zgrabio sam Deana, bacio ga u auto i rekao mu: ‘Znaš, mislio sam da sam ja najbolji, a onda sam vidio tebe i sad znam da si ti bolji, no nije mi jasno kako to uspijevaš’. Odgovorio mi je: ‘Pa gledaj, ne možeš samo glumiti da nešto radiš, nego to moraš i raditi. Nemoj imati unaprijed stvorene ideje kada glumiš, svaki put pokušaj napraviti nešto drugaèije’. Od toga trenutka poèeli su problemi izmeðu mene i redatelja s kojima sam radio - isprièao je Hopper.
“Problemi” na koje je mislio iskrsnuli su prvi put na setu “Diva” u kojemu je Hopper glumio sina ženi koju je tumaèila Elizabeth Taylor. Hopper je jednu scenu ponavljao èak 87 puta dok redatelj Henry Hathaway nije zaprijetio da æe mu uništiti karijeru. Hopper je dobio progon iz Hollywooda i otišao u New York gdje mu je karijeru spasila prva supruga Brooke Hayward 1961. godine. Bila je kæi producenta Lelanda Haywarda koja mu je uspjela srediti veæe uloge, a zaslužna je i za njegovo bavljenje fotografijom. Hopper je, primjerice, za album “River Deep, Mountain High” Tine i Ika Turnera napravio fotografije za cover.
Ovisnost o kokainu i alkoholu uništila mu je brak iz kojega ima kæer Marin, a zatim se naglo 1970. godine oženio s ikonom grupe “Mamas and Papas” Michelle Phillips.
- Prvih sedam dana braka bilo nam je odlièno. Osmi dan bio je grozan - komentirao je Hopper jednom prilikom svoj drugi kratki brak.
S plesaèicom i glumicom Darijom Halprin trajalo je nešto dulje (èetiri godine), a u tom braku rodila mu se druga kæi Ruthanna. Jednako je dugo bio oženjen s takoðer plesaèicom i glumicom Katherine LaNasa s kojom ima sina Henryja. Iz najdugovjeènijeg braka, s Victorijom, ima šestogodišnju kæer Galen zbog koje je èak za jedan filmski magazin napravio intervju sa zvijezdom “Mladog mjeseca” Kristen Stewart. A taj razgovor razotkrio je Hopperovo ogorèenje spram “medijskog zlostavljanja slavnih”. |
Roger Ebert: In Memory of Dennis Hopper Sjajan dokumentarac, preporuka: Crazy About the Movies: Dennis Hopper| A documentary on Dennis Hopper I recorded off TV a few years back, a bit rare I think. Having read recently that his cancer has spread and he most likely won't be around much longer, I wanted to upload again as he is a true original talent and lead an wild interesting life. |
Isto tako vrijedi potraziti torrent (YT snimka prilicno je losa): Inside The Actor's Studio Dennis HopperDennis Hopper Tribute Montage Ovo morate vidjeti: Dennis Hopper - If (1976)Dennis Hopper reads a poem on The Johnny Cash ShowDennis Hopper - Tribute (1936-2010)Kaj morem ti neg rec:
Od vsega srca fala! Pocivaj u miru. |
| 02.06.2010., 00:41 | #1385 | El Más Loco |
Sjajna View Digital Edition kolekcija meni strasno dragog filmskog magazina:
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| 03.06.2010., 01:17 | #1386 | El Más Loco | Slika 1
Fantastic Mr. Fox: Wes Anderson at the NYPL:
Jerry Weintraub: Hollywood Deal Maker Tells All:
Slika 3
Tina Brown with Tom Ford: From Fashion to Film Making:
Slika 3 Zadnje ureðivanje Deckard : 25.07.2013. at 18:32. Reason: slike pod link |
| 05.06.2010., 20:40 | #1387 | El Más Loco | Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters. Lesley Brill, 'John Huston's Filmmaking (Cambridge Studies in Film)'
Cambridge University Press ISBN: 0521583594 October 13, 1997 285 pages PDF 7.4 MB
John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection among humanity, the natural world, and divinity. |
Martin Rubin, 'Thrillers (Genres in American Cinema)'
Cambridge University Press ISBN: 0521581834 March 28, 1999 336 pages PDF 26.3 MB
The thriller is perhaps the most popular and widespread movie genre--and the most difficult to define. Thrillers can contain gangsters or ghosts, space helmets or fedoras. They charge our familiar world with a spirit of exotic, old-fashioned adventure. They give us pleasure by making us uncomfortable--on the edge of our seats. Thrillers provides a comprehensive treatment of this genre, from silent serials to stalker films, from Alfred Hitchcock to Quentin Tarantino, from The Great Train Robbery to L.A. Confidential. This accessible, wide-ranging volume is designed to appeal to students and general filmgoers alike, and shows how this visceral, double-faced film genre has aroused our intense sensations throughout decades of American cinema. |
Jonathan Rosenbaum - Movie Wars: How Hollywood and the Media Limit What Movies We Can See
Publisher: Chicago Review Press 2002-07-01 ISBN: 1556524544 PDF 240 pages 5.07 MB
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever-we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back. |
Richard Misek, 'Chromatic Cinema: A History of Screen Color'
Wiley-Blackwell 2010-05-03 ISBN: 1444332392 240 pages PDF 1,8 MB
Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation.
# Offers both a history and a theory of screen color in the first full-length study ever published
# Provides an in-depth yet accessible account of color's spread through and ultimate effacement of black-and-white cinema, exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis
# Engages with film studies, art history, visual culture and technology studies in a truly interdisciplinary manner
# Includes 65 full-color illustrations of films ranging from Expressionist animation to Hollywood and Bollywood musicals, from the US ’indie' boom to1980s neo-noir, Hong Kong cinema, and recent comic-book films |
Guy Austin, 'Stars in Modern French Film'
Bloomsbury USA ISBN: 0340760192 June 27, 2003 192 pages PDF 8.9 MB
From the Cannes film festival and Brigitte Bardot to virtual film stars and Virginie Ledoyen, French film stars embody glamour and sex appeal and sometimes controversy. This text analyzes the major French stars of the last fifty years, paying detailed attention to screen performance, representation in the popular press, and social and political contexts of their work. Guy Austin's lucid and engaging account charts the making (and in some cases breaking) of the icons of French cinema, including such famous names as Catherine Deneuve, Gerard Depardieu, and Brigitte Bardot, as well as more recent stars like Beatrice Dalle, Emmanuelle Beart, and Samy Naceri. |
Preporuka: Tim Underwood, Stephen King, 'Bare Bones: Conversations on Terror With Stephen King'
Warner Books 1989 ISBN: 0446390577, 044639002X, 0070657599 211 pages PDF 11 MB
In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known. |
+ Jos malo pa na more. Tko prvi sretne 'malog' Brucea, nek' se obavezno javi s razglednicom: Hunting Bruce, Or, On The Trail Of The 'Jaws' Sharklink Zadnje ureðivanje Mr Smoogj : 07.07.2010. at 14:56. |
| 07.06.2010., 16:14 | #1388 | El Más Loco | Mystery Man: A Final Salute S njim je ova tema i otvorena, zajedno s njegovim odlaskom ce se najvjerovatnije i ugasiti. Tesko mi je povjerovati u vijest koja je ovih dana u filmskim krugovima odjeknula poput groma: I just received this email:
Hello, my name is Rebekah. I was “Mystery Man’s” administrative assistant for a number of years. Unfortunately, he passed away not long ago. I'm terribly sorry.
He made it his express wish not to reveal his identity.
Before he passed away, he had completed roughly 2/3 of his screenwriting book, and I am partnering with a couple of writers to finish the book using bits from his various articles. I will follow-up with one more e-mail advising how his fans can download his free screenwriting book. I really have no idea yet as to when it will be available.
Again, I'm very sorry to bring you this news, and if you could assist us in getting the word out, we would greatly appreciate it.
I emailed Rebekah back. She confirmed that Mystery Man had, indeed, passed away. I can only assume this is true. If so, it's awful news. |
Razmijenili smo na desetke mailova, zadnji mi je stigao krajem veljace (priblizno u to vrijeme iznenadno je prestao i twittati). Samo neki od komentara s bloga Scotta Myersa: He was inspiring. I found his posts always inspired me to think in deep and complex ways about film and screenwriting.
Not to mention he was generous in spirit, kind, funny, and sweet.
Simply one of my all-around favorite people I know - online or otherwise.
I really looked forward to the day we'd meet over martinis. |
My condolences to every dreaming and aspiring screenwriter. We lost a great mentor.
MM
Thanks for your great legacy. |
Mystery Man was one of the first blogs I ever read on screenwriting and was a big inspiration for me to start my own blog. He was a very insightful writer and his persona was full of intrigue. Like the first comment by James, I hope the report of his death—in Mark Twain style— is an elaborate hoax.
One thing that makes me think it isn’t a hoax is I traded emails with Mystery Man back in March and on March 16 he agreed via email to write a guest post for me and then I never heard from him again. He’s just busy I thought. But even more so, he once told me he was going to write a book and give it away. So when you report that his assistant says that his screenwriting book will be available as a free download it seems consistent with his desires.
In a day of $500 screenwriting seminars and even higher paid screenwriting consultants, Mystery Man’s approached to giving his knowledge away seemed unorthodox and generous. But unorthodox and generous sums up my experience with Mystery Man.
Like the passing of Blake Snyder (Save the Cat), this news—if true—is blow to the screenwriting community. But like Snyder, Mystery Man left a wealth of information and inspiration that hopefully will improve the quality of storytelling for years to come. |
Ako jos niste, svakako kliknite/bacite pogled na: 101 Best Of MM Articles! Mystery Man newsMystery Man: A Final SaluteMystery Man posts #3Mystery Man posts #2Mystery Man posts #1Mystery Man website |
| 10.06.2010., 00:30 | #1389 | El Más Loco | myPDFscripts: Exclusive ScreenplaysNaramak scenarija koje necete pronaci nigdje drugdje: myPDFscripts.com has recently put up a great page: Exclusive Screenplays, links to some awesome screenplays which, if true, are only available at the site. The scripts include:
The Accidental Tourist
Bonnie & Clyde
Carrie
Driving Miss Daisy
The Grifters
Midnight Express
The Pianist
Sling Blade
A Man for all Seasons
I've seen some of these titles elsewhere, so my guess is that there are draft versions that are unavailable elsewhere.
And for those who may not have downloaded The GITS Recommended Script List, go here:
GITS Recommended Script List
Grouped by genre and theme, each script on the list has an active link enabling you to download a PDF version of that script. I'm hearing rumors that the list has made the rounds at major studios and when we last communicated, Nate Winslow said there had been thousands of downloads from his MediaFire site.
Read scripts! It's a hugely valuable way to learn screenwriting. |
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| 14.06.2010., 13:25 | #1390 | El Más Loco | Prenosim svoj zadnji post s teme Film koji smo zadnji pogledali, 2010., neka se nadje - mozda nekoga inspirira. Da parafraziram Bandica: Idemo delat!Tulum Kratki igrani film Dalibora Matanica, drugi iz omnibusa sest kratkih filmova cija je tema intima sest razlicitih djevojaka na sest razlicitih mjesta na planetu, u istome danu. Ta vukovarska prica o djevojci (glumi je Leona Paraminski) koja u jednom suncanom danu ponovno prozivljava horor unistene mladosti, poharala je festivalsku scenu zapocevsi s premijernim prikazivanjem u canneskom 'Tjednu kritike'. Od ostalih nagrada vrijedi istaknuti Sarajevo i Bilbao, a u manje od godinu dana sudjelovao je na 35 medjunarodnih festivala te dobio deset priznanja. Nagrada u Bruxellesu peti mu je medjunarodni Grand Prix za najbolji film (krepo dabogda ). Da ga jebes, meni je to... lose? Njah, nije bas lose-lose, u zivotu vidjeh zilijun kratkih filmova, recimo da je Dadin Tulum podnosljivo osredanj (svakako inferioran u usporedbi s (A)torzijom Stefana Arsenijevica. YT 1 i 2). Fotografija i score odlicni, Leona Paraminski konacno (hvala dragim nebesima ) glumi bez te svoje iritantne dikcije wartburga u rikvercu, scenografija da se smrznes (od grozote i zastrasujuce ljepote istovremeno, zar Vukovar jos uvijek izgleda tako tuzno? ). Prica. 15 minuta sasvim je dovoljno za ispricati dobru pricu (ako je pritom i znas ispricati koristeci se audiovizualnim vjestinama, naravno). Vukovar je i dalje za sve nas strasno bolna tema, a upravo je bol najveci generator kreativnosti i inspiracije. Matanic se na tom skliskom terenu ne snalazi bas najbolje, cim Leona zalegne u travu znas sto ce se dogoditi/kako ce film zavrsiti. Sve mi to djeluje nekako prejeftino, kao da se i emocija negdje putem napila tog piva i jednostavno izgubila u rusevinama Vukovara. Lik starice ne funkcionira, na kraju i rusi film s tim dijaloskim ponavljanjem/nevjestim pokusajem zatvaranja narativne/dramaturske cjeline. Bas nedavno su bedaceki iz Globusa pitali Slobodana Sijana/ Ko to tamo peva: U filmu se povremeno, u stražnjem dijelu autobusa, pojavljuje lik starice, no ona nije profiliran lik. Zašto?
“To me ljudi èesto pitaju. Filmovi koji se dogaðaju u jednom prostoru poštuju pravilo da se svakim likom moraš baviti. Buduæi da ja uvijek imam poriv napraviti nekakvu malu subverziju, smislio sam lik kojim se uopæe neæu baviti. Uzeli smo neku seljanku koja je ondje živjela i naprosto bismo je ujutro – po dolasku na snimanje – pokupili. Takav postupak ima i prikrivenu metaforièku vrijednost o kojoj ne volim puno razglabati. Ako je oèitate, u redu”, odgovara nam poznati redatelj. |
Drugim rijecima, Matanic se - za razliku od Sijanove starice u autobusu - doista bavi likom te babe, no ovdje u konacnici ipak izostaje bilo kakva prikrivena metaforicka vrijednost. Sve ostaje na nekoj vrsti reverznog inzenjeringa te subverzije, dijaloskog skeca/bradonjinih mudiju u babinim ustima, you name it. Od Dade Matanica, nakon snimljenih pet dugometraznih filmova, ocekuje se vise, puno vise. Nakon lezbijstva, HIV-a i Like tema je – raspad braka. Nda, Tulum mozete pogledati klikom na fotku ispod (H/T za Scarecrowa): @Dragonrage Jebem ti sunac, tebi i tvojim akcijskim CGI vratolomijama. 15 minuta, troskovnik sake cavala i visokozapaljujuca audiovizualna mjesavina hiperrealizma od koje ima da popada pola Europe. Why are weso blind to see? A sve isprepleteno, savrseno isprepleteno sa Srbima i Hrvatima. Dovoljno je otvoriti prozor, samo na kipu (kompletna mi familija preko 20 godina od istog slasticara kupuje kolace, torte, sladolede, bureke, peciva i cevape. Prije neki dan ga uvatilo u kuhinji slasticarnice, coek prepakiravo bijelo - iz bacve! Rigao sam dva dana). Cronenberg/ Eastern Promises i Ameri dusu bi dali za takvu jebacku premisu, o Europcanima da i ne govorim - albanska mafija u svijetu trenutno nema konkurencije (a prica nikad ispricana). Mislim na fikciju, naravno. Fikciju koja je istovremeno toliko stvarna (u istoj mjeri razarajuca po EU) da bi na jedan takav uradak (i autora istog) svi u toj usminkanoj Europi po defaultu skretali paznju. Docek sa zlatnim tepihom i pripitim tamburasima ispred HAVC-a, zagrljeni Niksa Svilicic i baja Biskupic u grlatoj pjesmi refrena Dobro mi dosel prijatel, spalir zagrebackih mazoretkinja, a Bandic i Ljustina plesu i pljescu ti sa strane. Mark my words. |
| 15.06.2010., 10:38 | #1391 | Registrirani korisnik | sta se ovo dogaða sa studiom MGM?
..kako su dopustili da se naðu u takvoj banani..?
..nemogu ni Hobita financirati za kojega znaju da ce im vratiti duplo para.. __________________
George Costanza: Just remember, it's not a lie if you believe it. |
| 16.06.2010., 21:02 | #1392 | El Más Loco |
imdb
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| 20.06.2010., 20:06 | #1393 | El Más Loco | Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters. Hugo Frey, Louis Malle (French Film Directors)
Manchester UP 2004 ISBN 0719064570 171 Pages PDF OCR 8 MB
Hugo Frey introduces Malle's work through a lucid analysis of his many masterpieces. The book focuses on the most challenging aspects of Malle's oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle's portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This is a nuanced study of an important filmmaker, and a critical intervention in the debates which surround Malle's work. |
Gino Moliterno - Historical Dictionary of Italian Cinema
The Scarecrow Press, Inc. ISBN: 0810860732 2008-09-29 PDF 520 pages 1.55 Mb
The Italian cinema is regarded as one of the great pillars of world cinema. Films like Ladri di biciclette (1948), La dolce vita (1960), and Nuovo cinema Paradiso (1988) attracted unprecedented international acclaim and a reputation, which only continue to grow. Italian cinema has produced such acting legends as Sophia Loren and Roberto Benigni, as well as world-renowned filmmakers like Federico Fellini, Sergio Leone, Mario Bava, Dario Argento, and Lina Wertmüller, the first woman to ever be nominated for the Best Director award. |
Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir By Vincent Brook
Publisher: Rutgers University Press 2009 256 Pages ISBN: 081354629X , 0813546303 PDF 3 MB
Driven to Darkness explores the influence of Jewish directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. |
Australian Cinema After Mabo by Felicity Collins (Author), Therese Davis (Author)
Publisher: Cambridge University Press (February 21, 2005) ISBN-10: 0521834805 PDF 1 Mb 212 pages
Australian Cinema After Mabo is the first comprehensive study of Australian national cinema in the 1990s. |
New Hollywood Cinema: An Introduction
Publisher: I B Tauris & Co Ltd ISBN: 1860647499 edition 2002 PDF 305 pages 13,8 mb
A complex American ‘art’ cinema of innovation and experimentation, or the simplistic world of the comic-book blockbuster? The introverted obsessions of Travis Bickle and Harry Caul, or the action heroics of Luke Skywalker, Indiana Jones or Buzz Lightyear? Street-level independent production, or giant multimedia conglomerates? Radical visions or conservative backlash? Unsettling departures from ‘classical’ Hollywood style, or superficial glitz and over-insistent rhetoric drawn from advertising and MTV? Filmmakers as visionary artists, or as emptily stylish raiders of the cinematic past? ‘Modernism’ or ‘postmodernism’? Wholesale change, or important continuities with the past? |
The Cambridge Companion to Shakespeare on Film By Russell Jackson
Publisher: Cambridge University Press 2007 368 Pages ISBN: 0521866006 , 052168501X PDF 1 MB
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. |
Bernard Mendiburu, '3D Movie Making: Stereoscopic Digital Cinema from Script to Screen'
Focal Press 2009 ISBN: 0240811372 232 pages PDF 4 MB
Filmska industrija odluèila je, po svemu sudeæi, da æe njezina buduænost biti u 3-D tehnologiji. Devedesetih godina, odnosno od širenja digitalizacije, isprva se mislilo da bi tzv. “virtualna stvarnost” mogla, nakon raèunalnih igara, postati i put kojima æe industrija filma krenuti u novo tisuæljeæe, meðutim iz raznoraznih razloga (npr. cyber vrtoglavice) tehnologija nije prošla prag kojim bi se dokazala kao moguæa buduæa dominanta.
Ako je sumnjièavaca u vezi tehnologije donedavno još i bilo, megauspjeh “Avatara” otklonio je svaku sumnju u to da hollywoodski filmaši polažu sve nade u 3-D kao svoj put u buduænost. Kao posljedica toga, ne samo da mnogi potencijalni buduæi hitovi snimaju u tehnici 3-D, poput završna dva nastavka “Harryja Pottera” ili Spielbergovih “Pustolovina TinTina” (da se o crtiæima koji ciljano odgajaju nove generacije gledatelja ne govori), nego se planiraju 3-D verzije cijelog niza starih hitova i klasika: od “Titanika”, “Ratova zvijezda” do “Zameo ih vjetar” i “Graðanina Kanea”.
Mala poskupljenja, velike zarade
Prema rijeèima Jeffreyja Katzenberga, troškovi produkcije u tehnici 3-D penju se za petnaest posto, što je zanemarivo poveæanje u odnosu na zarade koje mogu biti i trostruko veæe od njihovih “obiènih” verzija (kada se filmovi proizvode u obje verzije).
Dodatna je prednost trodimenzionalnih filmova za filmsku industriju u tome što je njih daleko teže piratizirati.
Struènjaci smatraju da je glavna atrakcija trodimenzionalnih filmova u tome da su najbliži stvarnim iskustvima, odnosno da podražavaju mozak na naèin na koji dvodimenzionalni ne mogu. Uvjereni su da stereoskopsko gledanje podražava više neurona, što znaèi da gledatelju ostavljaju dojam da su se bolje zabavljali gledajuæi ga. Stoga se smatra da nešto veæe cijene ulaznica neæe biti problem, jer je kino još uvijek vrlo jeftinija zabava.
Povratak u buduænost
Situacija u kojoj se nalazi filmska industrija opisuje naziv hollywoodskog hita “Povratak u buduænost”. Tehnika 3-D, naime, nije nova. Osobito se mnogo s njom eksperimentiralo u pedesetima, a kasnije i u osamdesetima, no zbog ogranièenih moguænosti (zbog kojih je izazivala glavobolje i vrtoglavice), a ni efekti zapravo nisu bili osobiti, bila je tek, kako je rekao Hitchcock , “èudo od devet dana”.
Nakon “Avatara” nemoguæe je poricati tehnièku savršenost, a treba vjerovati i u to da 3-D neæe biti iskljuèivo format za zabavu jer æe uvijek biti umjetnika koji æe nove tehnologije znati koristiti u dublje svrhe; npr. glasoviti kritièar Andre Sarris misli da nam 3-D omoguæava da u svakom kadru tratimo vrijeme na detalje koji su apsolutno suvišni. No, sliène su se sumnje javljale kada je film postao zvuèan, pa kada je krenula boja, a opet su se nakon toga javljali cijeli umjetnièki pravci.
Izvor: VL |
Paul Wheeler 'High Definition Cinematography, 2nd Edition'
Published by Focal Press Publication date : May 2007 ISBN : 024052036X PDF 267 pages English 6.17 MB
High definition is here to stay. HD changes the whole shooting and editing process in film and television production and this book is to satisfy your hunger for information. |
Steve Hullfish, Jaime Fowler - Color Correction for Video, Second Edition: Using Desktop Tools to Perfect Your Image
Publisher: Focal Press 2008-10-27 ISBN: 0240810783 PDF 296 pages 51.37 MB |
Jeff Foster, 'The Green Screen Handbook: Real-World Production Techniques'
Sybex 2010 ISBN: 0470521074 384 pages PDF 29,1 MB
Make movies and videos with green screen compositing technology with The Green Screen Handbook: Real-World Production Techniques. This unique guide is a comprehensive how-to of professional production techniques, step-by-step instruction, and tips that can save you time and money. Learn when to use green screens instead of blue, find out how the pros operate in professional studios, and get amazing results—even on a shoestring budget. |
+ The Simpsons: An Uncensored, Unauthorized History [Unabridged] by John Ortved
Publisher: Tantor Media; Unabridged CD edition (November 30, 2009) ISBN: 1400114489 Language English Audio CD in MP3 249 MB |
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| 20.06.2010., 22:17 | #1394 | El Más Loco | Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://chiefdundee.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the
content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters. Attention, please
This blog is dedicated to bootlegs, out of print and rare soundtracks. Please do not ask for CDs that are still available at a fairly reasonable price, especially if they're new releases! Such requests will be ignored.
By purchasing new soundtracks, you will support the artists you love and the local music stores you don't want to see disappear.
Bootlegs and promo CDs are not for sale. They're meant to be shared. Avoid any site which asks money for those (you know who I'm talking about...) |
Zadnje ureðivanje Deckard : 25.07.2013. at 18:35. |
| 22.06.2010., 00:40 | #1395 | El Más Loco | Tko se sjeca delicije zvane Tarantino Versus the Coen Brothers, ne smije propustiti sljedece: | Watch ‘Kubrick Versus Scorsese,’ an Epic Movie Mash-Up '25 days, 34 films, and 1 tribute': Another monster (and spoiler-y) montage from Leandro Braga, man behind the similarly epic 'Tarantino Versus the Coen Brothers.' |
--- Za prvi dan ljeta jedna raritetna fotografija (koja je bas ovih dana ugledala svjetlo dana): Ingmar Bergman and the shark from “Jaws” Hollywood 1975. --- Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters. Pokusavam zamisliti svoj zivot bez slusanja dobrih OST-ova, no fucking way. Ako je glazba zvonka radost, onda je ona filmska sreca i od srece veca. Generator kreativnosti i inspiracije, neutralizator loseg raspolozenja (hm, sve ovisi o tome koji osjecaj zelite stvoriti). It's Brave New World! Svakako probajte. Dvije preporuke: GLADIATOR Suite - Hans Zimmer / Lisa Gerrard / Klaus Badelt (Lisa Gerrard i mrtve bi podigla iz groba) i THE THIN RED LINE Suite - Hans Zimmer. U to ime, naramak OST-ova: Borat
There's really nothing I can say about 'Borat' that hasn't been said already. I haven't laughed this much at a movie since the early 80's. God, that sounds so long ago. Here's the soundtrack from one of the funniest movies ever made. If you live in a cave and haven't seen the movie yet, do so and then listen to the just as crazy soundtrack. Enjoy....
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Scarface (1983)
With exception of the 'Godfather' films, This probably stands out as one of the greatest gangster films ever made. It's a pop culture gem also. Everyone from rappers to other filmmakers have directly quoted this film as a direct influence on their lives. The only bad thing aboout this is that they never put sound bites from the film on this soundtrack. That would have been a welcome extra due to Pacino having some great lines and monologues through the movie. Enjoy this gem from the eighties.....
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Stephen King Music
Enjoy these soundtracks....
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70's Disaster Movies
I'm a fan of the great disaster flicks of the 1970's. These are the ground work for all of your CGI loaded movies that you enjoy today. Next time you see 'Independence Day', 'Twister', 'Volcano', or anything else you see today, think of these. The fire and the water were all real thanks to the hard work of the crews involved. Enjoy these out of print gems..... |
Batman Begins
Sit back and wait for July 18th. 'The Dark Knight' will be coming out that day. From what I've seen of it, this one's gonna rock. The Joker, as played by Heath Ledger, looks totally psycho. Just to keep you on the edge of your seat while waiting for this, here's the soundtrack for 'Batman Begins'.... |
The Romero Dead Quadrilogy
'They're coming to get you Barbara'. That has to be without a doubt one of the greatest lines in any single horror film. I just sat and had a marathon session of watching all four of Romero's 'Dead' films. To this day, it's still one of the best franchises to watch when you have the free time to do so. These films have some great soundtracks which I'm more than happy to post here for your audio enjoyment. Thanks and props go out to 'The Long Island Ripper' over at the Inferno Music Crypt for posting an expanded version of the 'Land Of The Dead' soundtrack. Check out his great blog and his posts. He seldomly disappoints...... |
Rob Zombie Movie Soundtracks
Here are the soundtracks for Rob Zombie's three movies. This man truly has a sick and twisted vision (not that there's anything wrong with that). His films are truly ultra-violent and enjoyable for the blood and gore freaks out there. I did like his vision of 'Halloween'. I don't view it as a remake, but instead as his interpretation of John Carpenter's legendary 1978 masterpiece. Enjoy.... |
The Indiana Jones Trilogy
Here are the out of print soundtracks for the first three Indiana Jones films. I'm waiting for 'Indiana Jones And The Kingdom Of The Crystal Skull' with great patience. I wish a trailer would be out already. Hopefully, a trailer will be shown on Super Bowl Sunday. Enjoy these John Williams classics.... |
John Carpenter Scores
Not only has he directed some great movies, but he's also crafted some wonderful scores to go along with them. Enjoy the following.... |
Universal Horror Themes
I ran across this over at Unversal Horror Sounds and want to share it with everybody else. There's some great stuff over at that blog. The blogmaster has great taste because no one (and I mean no one) will ever top Universal as making some of the greatest Horror movies ever made. This contains themes from Dracula all the way through to Creature Fom The Black Lagoon. Stop over there and check out this great blog..... |
Texas Chainsaw Massacre Trilogy
I was sitting back and thinking about the good old days when I got my first VCR. The thing was a huge monster. It was so primative. It was so primative in the fact that it's remote was connected to it by a wire. That sounds so wrong nowadays. The first movie I rented was something I kept hearing and hearing about but had never seen. I was so happy that I saw 'Texas Chainsaw Massacre' for the first time. Here's the soundtracks for the first three chainsaw massacres. Enjoy....... |
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| 24.06.2010., 01:32 | #1396 | El Más Loco | MartView: Slick Eye-Candy PDF Viewer & Downloader
Svakako probajte otvoriti neki od .pdf dokumenata u Martviewu, stvar je besplatna i krajnje zarazna.
Jos se samo ceka:
WePad stiže u srpnju. |
| 26.06.2010., 01:17 | #1397 | El Más Loco | Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters. Free Download American Cinematographer Magazine July 2010: American Cinematographer Magazine July 2010
English 92 Pages 26MB True PDF
American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft. |
American Cinematographer Tackles Inception
It seems you can’t turn your head now-a-days without being bombarded with stuff on Inception, nor can you walk into a bookstore without seeing a row of magazines with Leonardo DiCaprio on the cover. The latest magazine to plaster Leonardo and Inception all over its front page is American Cinematographer. Inside is a sprawling 13-page write up on Christopher Nolan’s sci-fi action thriller that delves pretty deep into how Christopher and cinematographer Wally Pfister pulled off some of the film’s jaw-dropping and surreal visuals. Perhaps the most entertaining out of all the ways they managed to get some of the shots they did was when they strapped cameras to to skiers with “strong backgrounds in skiing and mountain travel.”
“Fundamentally, I wanted every shot to be moving,” says Nolan. “I wanted to base the photography in these scenes on what we’d done with vehicles in The Dark Knight. I wanted to always have a point of view for the camera, to always be moving with the action and putting the audience into the experience. Chris [Patterson] was able to pull off some really extraordinary shots. He was very receptive to putting more and more movement into shots, even little storytelling shots. That footage all cut together with what I like to call a ‘tumbling forward’ quality, where you’re being pulled along with the action.”
Craziness, right? Well there are many more awesome stories and facts revealed about how Christopher Nolan, Wally Pfister, and the rest of the Inception team approached different aspects of filming this movie. See if you can find American Cinematographer at your local bookstore, it’s more common than you think, and read the rest for yourself – you won’t regret it. Until then, here are some juicy pictures from the magazine spread to keep you happy. |
Zadnje ureðivanje Mr Smoogj : 07.07.2010. at 14:48. |
| 27.06.2010., 23:04 | #1398 | El Más Loco | Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters. Novo, trece izdanje THE knjige: Michael Rabiger - Directing: Film Techniques and Aesthetics, Third Edition
Publisher: Focal Press 2003-03 ISBN: 0240805178 PDF 560 pages 10.19 MB
Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. |
Skromna preporuka vrijedi i za sjajnu knjigu/ne suditi po koricama: Son of the 100 Best Movies You've Never Seen
ECW Press 2008-09-01 ISBN: 1550228404 275 pages PDF 2 MB
With titles that draw from the depths of obscurity, this collection features thoughtfully selected essays devoted to such films as Wladyslaw Starewicz’s 13-minute masterpiece The Cameraman’s Revenge (1912), the existential reinvention of the Western genre in El Topo (1970), and Stanley Kubrick’s early classic, The Killing (1956). Each essay features a detailed description of plot, notable trivia tidbits, critical reviews, and interviews with actors and filmmakers such as Francis Ford Coppola, Mario Van Peebles, and Billy Bob Thornton. Film aficionados who think that they’ve “seen it all” will enjoy referring to this enjoyable mix of movies that are gone—but no longer forgotten. |
Sjajna 'BFI Film Classics' edicija: The Searchers (BFI Film Classics) By Edward Buscombe
Publisher: British Film Institute 2008 80 Pages ISBN: 085170820X PDF 4 MB
This is a detailed commentary on all aspects of the film, 'The Searchers', and makes full use of material in the John Ford archive in Indiana, including Ford's own memos and the original scripts, which differs in vital respects from the film he made. |
Bicycle Thieves (Ladri di biciclette) (Bfi Film Classics) By Robert Gordon
Publisher: British Film Institute 2008 96 Pages ISBN: 1844572382 PDF 10 MB
Bicycle Thieves (Ladri di biciclette) Vittorio de Sica, 1948 is unarguably one of the fundamental films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative cinema ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had finally freed him from the poverty and humiliation of longterm unemployment.
One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy after 1945 – loosely labelled ‘neo-realist’ – Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these.
Robert S. C. Gordon’s BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neo-realist ‘classic’. It looks at the film’s drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted. |
L'Année dernière à Marienbad (Last Year in Marienbad) (BFI Film Classics) By Jean-Louis Leutrat
Publisher: British Film Institute 2008 72 Pages ISBN: 0851708218 PDF 6 MB
Illustrated A quintessential work of 1960s European art cinema, L'Année dernière à Marienbad (Last Year in Marienbad, 1961) was a collaboration between director Alain Resnais and 'New Novel' enfant terrible Alain Robbe-Grillet. Three people, known only by their initials, move through the sprawling luxury of a mysterious hotel and its ornamental gardens. Perhaps M is A's husband and X her lover. Perhaps 'last year,' A promised X she would leave with him. Or is there something more terrible in the past? An abstract thriller, a love story, a philosophical puzzle, the film's deviations are, for Jean-Louis Leutrat, as complex as those of the human heart. |
Sunrise: A Song of Two Humans (BFI Film Classics) By Lucy Fischer
Publisher: British Film Institute 2008 79 Pages ISBN: 0851706681 PDF 5 MB
Illustrated Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. A lavish and sumptuous production, it was the first film made in America by the celebrated German director F.W. Murnau, who also directed Nosferatu (1922). Sunrise mediates between German expressionism and American melodrama, the Avant-Garde and popular fiction, silent cinema and 'talkies.' Lucy Fischer's book is a model of film analysis, locating Sunrise in a fascinating range of historical aesthetic and philosophical contexts. |
The Night of the Hunter (BFI Film Classics) By Simon Callow
Publisher: British Film Institute 2008 79 Pages ISBN: 0851708226 PDF 5 MB
Illustrated The Night of the Hunter was Charles Laughton's only film as director. Adapted from a bestselling novel by Davis Grubb, it is part expressionist horror movie, part luminous fairytale, and contains some of the most haunting images in cinema: Willa (Shelley Winters), her throat cut and hair streaming out like seaweed, sitting in a submerged Model T Ford; her children, framed by looming animals, in a downriver flight from Preacher (Robert Mitchum), a silhouetted threat on the horizon. The Night of the Hunter is revered today, but it failed on its first release, and Laughton never recovered from the disappointment. Simon Callow explores Laughton's transition between film actor and director, and examines the considerable influence the film has had on subsequent filmmakers such as Neil Jordan and even Callow himself. |
L'Argent (BFI Modern Classics) By Kent Jones
Publisher: British Film Institute 2008 96 Pages ISBN: 0851707335 PDF 10 MB
Illustrated The career of Robert Bresson (b. 1907) is one of the richest in the history of cinema, but also one of the most enigmatic. For some commentators, Bresson is a severe moralist who's almost medieval in his concern for the darker aspects of Catholic theology. For others, he's best seen as a stylist whose work has consistently anticipated cinematic trends. Just as Bresson's 1959 Pickpocket was remodelled by Paul Schrader as American Gigolo (1980), so L'Argent (1983) is a study of spontaneous murder and a meditation on evil that has a striking kinship with contemporary vigilante and serial killer films. |
Coeni za pocetnike: Ellen Cheshire, John Ashbrook - Joel and Ethan Coen (Pocket Essential series)
Pocket Essentials 2004 ISBN: 1904048390 Pages: 160 PDF 1.31 MB
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Applying a quintessentially British mix of dry wit and black humor to all their work from the impossibly noir Blood Simple to the wonderful The Big Lebowski, Joel and Ethan Coen have crafted often hysterically funny, startlingly unpredictable, and surprisingly moving reworkings of the crime genre. In this book, Cheshire and Ashbrook tackle recurrent themes including family, dreams, religion, and references to the work of Stanley Kubrick with dry wit and erudition. |
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| 02.07.2010., 13:21 | #1399 | El Más Loco | Ogromna isprika korisnicima Okorjelih na sranju s fotkama. TinyPic - Free Image Hosting, Photo Sharing & Video Hosting. Da imam vremena i para za angazirati onog americkog fiskala O.J. Simpsona, spicio bi im jednu intergalakticku tuzbu. Kako se samo usudjuju, jedna je stvar po User Agreementu uskratiti nekome uslugu hostanja njegovih fotki na serveru TinyPica (i ostaviti male prozorcice s porukom da je fotka izbrisana/premjestena), nesto sasvim drugo redirectirati postojece fotke korisnika na nesto sasvim trece (sva sreca da se ne radi o nekoj pornjavi).
WTF?
WTF again?!!
@Smoogj i Katatonicni
Najljepse vas molim da se te dvije fotke-uljezi izbrisu iz spornih postova (linkovi su iznad).
Ovo mi je skola, izbjegavajte TinyPic. |
| 04.07.2010., 14:35 | #1400 | El Más Loco | DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.COEN BROTHERS TRUE GRIT
Here is the screenplay to the Coen Brother's upcoming movie, True Grit. Enjoy!
TRUE GRIT |
Here is the script for the Tom Cruise, Cameron Diaz movie Knight and Day. Enjoy!
KNIGHT AND DAY |
Here is the screenplay for Three Kings. Enjoy!
THREE KINGS |
Here is the script for Stranger Than Fiction. Enjoy!
STRANGER THAN FICTION |
JJ ABRAMS DAY
I figured I might as well make it JJ Abrams day considering I've posted three of his television scripts in the past week. A little history on our boy JJ.
While in college he studied the script of Ordinary People. He sold his first script at the age of 23. That script was Taking Care of Business. Through the early 90's Abrams slowly grew, writing everything from comedy, to drama, to sci fi. After writing Armageddon it was a couple years till he wrote and produced Joy Ride. And that put him back on the mark for films. While writing films, Abrams also had a successful television career which started in 1999. He created the show Felicity which went on to run for four season and was a big hit. Along with writing Joy Ride in 2001 he also created the show Alias. This put Abrams on the map for action writing. Although he had written things such as Armageddon, this pushed him into the realm of television even further. The show was a success and pushed Abrams stardom farther. In 2004 he created the show Lost, his third series. Lost would redefine the way we watched television. Abrams then went back to films where he wrote and directed Mission Impossible 3. For a first time director, it was the most expensive budget. And that secured Abrams as a go to film director. Now a days Abrams does everything. He created the show Fringe a few years back and has over a dozen projects slated fr the future. He has also exploded as a producer. He produced and directed Star Trek in 2009. His Production Company, Bad Robot, is one of the biggest production companies in film today. He has also created one of the most anticipated television series with his new Undercovers. Abrams has accomplished a lot so far, but I have a feeling there's a lot more in store in the future. Enjoy!
FILM
WRITTEN:
TAKING CARE OF BUSINESS
REGARDING HENRY
FOREVER YOUNG
GONE FISHIN
ARMAGEDDON
JOY RIDE
MI3
PRODUCED:
THE PALLBEARER
JOY RIDE
CLOVERFIELD
STAR TREK
DIRECTED:
MI3
STAR TREK
TELEVISION
FELICITY (Pilot)
ALIAS (Pilot, 115)
LOST (Pilot)
FRINGE (Pilot)
UNDERCOVERS
UNPRODUCED:
SUPERMAN
SHELTER |
THE SHAWSHANK REDEMPTION
Here is the script to the Shawshank Redemption. Enjoy!
THE SHAWSHANK REDEMPTION |
CALIFORNICATION
Here is the pilot scripts to the show Californication. It was almost impossible to find, but I did. Enjoy!
CALIFORNICATION PILOT |
H/T za moviemana49. |
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