Kendrick Lamar Maad City Clean Diego Avila. Kid Clutch 73,251 views. (Clean Version) - Kendrick Lamar (Feat. Sep 21, 2016 - His 2012 star-making effort, 'good kid, m.A.A.d. City,' revived the hip-hop concept. There is true wisdom to be found in the lyrics of Drake.

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Amoeba Review

Billy Gil 10/20/2012

Good Kid M.A.A.D. City is the sound of extraordinary promise achieved, as Kendrick Lamar, who rapped as an independent artist for years, releasing his acclaimed Section.80 mixtape last year and working with the likes of Drake and Dr. Dre, before releasing this, his major-label debut. Given that pressure, the most remarkable thing about Good Kid M.A.A.D. City is how relaxed and assured it sounds. Its first two tracks set the stage introducing Lamar as a kid from Compton as devoted to religion as he is to girls — “I am a sinner who’s probably gonna sin again,” he says on “Bitch, Don’t Kill My Vibe.” That’s before tearing into “Backseat Freestyle,” a blistering, Lil’ Wayne-style track with production from Hit-Boy, known for his work on such tracks as Jay-Z and Kanye West’s “Ni**as in Paris.” From there, Good Kid M.A.A.D. City continues developing its addictive world of sound, moving into the affecting, detailed account of troubled youth, “The Art of Peer Pressure,” rapping over a Janet Jackson sample with Drake on “Poetic Justice” and taking a dip into the narcotic haze of “Swimming Pools,” evoking the weary, head-spinning world of partying night after night. Lamar even makes his seemingly heavy-handed 12-minute “Sing About Me, I’m Dying of Thirst” work, given its starting casualness — the gunshots that cut him off from finishing his “if I die before your album drop” line are so matter-of-fact and quick, they ring louder and truer than a hundred other hip-hop tracks utilizing the overused gun shot effect. Good Kid M.A.A.D. City is as intricate, strange and thoroughly addictive an album as anyone could have hoped to hear from Kendrick Lamar.

Track Listing

Artist
Sherane A.K.A. Master Splinter's Daughter	Kendrick Lamar	04:33
Bitch, Don't Kill My Vibe	Kendrick Lamar	05:10
Backseat Freestyle	Kendrick Lamar	03:32
The Art Of Peer Pressure	Kendrick Lamar	05:24

Artist
Money Trees	Kendrick Lamar , Jay Rock	06:26
Poetic Justice	Kendrick Lamar , Drake	05:00
Good Kid	Kendrick Lamar	03:34
M.A.A.D City	Kendrick Lamar , MC Eiht	05:50

Artist
Swimming Pools	Kendrick Lamar	05:13
Sing About Me, I'm Dying Of Thirst	Kendrick Lamar	12:03
Real	Kendrick Lamar , Anna Wise	07:23

Artist
Compton	Kendrick Lamar , Dr. Dre	04:08
The Recipe	Kendrick Lamar , Dr. Dre	05:52
Black Boy Fly	Kendrick Lamar	04:38
Now Or Never	Kendrick Lamar , Mary J. Blige	04:17

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Hyperbolic statements are hardly rare in hip-hop, thanks to its culture of ego and oneupmanship. So it was little surprise this year saw Rick Ross and A$AP Rocky claiming to have made history. But the hip-hop album of the year came from an unexpected quarter: Kendrick Lamar.

Good Kid Maad City Lyrics

This extraordinary coming-of-age album – following last year's Section 80 mixtape – tracked his growth from teenage gangsta-in-the-making to clean-living penitent. The cover shows a photograph of him as a child, setting the tone for a record that took us through his life. The 'mad city' is his hometown of Compton, California. On the album's final track, named for the city, he collaborates with another Comptonite, Dr Dre, in what might be a symbolic passing of the SoCal hip-hop baton.

Treesize professional full version. On first listen you could be forgiven for writing this off as a one-dimensional cloud-rap offering. The hazy, ethereal beatscapes designed for dope smokers (though Lamar rarely partakes, it's probably not news his fans are partial to a puff) certainly support that view, but for all the lulling basslines and languid drawls, it is the rich sexuality of tracks such as Poetic Justice or dance-ready injections on Swimming Pools (Drank), as Lamar barks stern instructions on how to drink properly ('You fill a pool full of liquor and you dive in it') that show off his rich talents as a songwriter and producer.

From the opening prayer on Sherane to the skits that run throughout the album, which feature fragments of his mother's voice offering warnings against temptation, Lamar creates a detailed narrative of the moral dilemma facing the good kid placed in a mad city with all its lures.

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Lamar is a playful and conscious observer with a huge ego: after all, what is a hip-hop album without it? His braggadocio is thrilling (we hear him rap about himself and Martin Luther King in the same breath in Backseat Freestyle), and he throws in the euphoria of youth when he boasts about having a 'dick as big as the Eiffel Tower'. And while it might seem too early on in his career to be making a track that refers so specifically to his legacy (Sing About Me, I'm Dying of Thirst), soberly urging us to sing about him when he's gone ('When the light shine off and its my turn to settle down, my main concern/ Promise that you will sing about me'), it is that willingness to do the unexpected that shows his sophistication as a rapper. Both the young Kendrick, dreaming up a monster penis, and the mature one, ruminating on how he'll be remembered, sound utterly convincing.

Good Kid Maad City Clean Version Zip Dopefile

Lamar has taken tropes from classic rap albums to make something that felt as exciting as Dr Dre's 2001 more than a decade ago. Here was proof that Compton's contribution to hip-hop history continues.